The Icon

Lac de Saint Cassien and Lago di Bolsena

Cassien and Bolsena. The two most famous waters in the world, two faces of one obsession. A French legend and an Italian volcano joined in a single story.

Lac de Saint Cassien – The First Story

I’ve been fishing for carp on boilies since the early nineties, and over more than three decades I’ve visited an extraordinary number of different waters all across Europe. Rivers and streams, alpine lakes, gravel pits, natural lakes, even brackish ones. If I had to pick the absolute top water ever, I probably couldn’t – because for me Lac de Saint Cassien and Lago di Bolsena share first place. Choosing Cassien is quite understandable; it’s the Mecca of carp fishing, where the history of catching giant boilie carp was written in bold letters. And it was there I caught the fish of my life.

Carp rods on a rod pod in the water at Lake Lac de Saint Cassien

My memories of Cassien are a little hazy, blurred by almost fifteen years of distance. And the fog gets even thicker thanks to an unusual mix of three factors: 1. I caught the fish of my life, 2. it was my birthday, and 3. the nearby supermarket had a discount on 12-year-old Glenfiddich.

Looking back, I owe big thanks to Tomáš Blažek, who made it possible for us to time our trip so we could take over their spot by the western arm.

In the first few days I managed to land two beautiful lysecs, the bigger one weighing 26.5 kg. Both fish gave me the same brutal take – the kind that nearly melts the bearings in your reel – followed by a half-hour ride. The fish kept circling the boat at high speed down in the depths, all while close to a big marker buoy. Pure adrenaline rush.

Zdeněk Vašek with a huge carp from Lake Lac de Saint Cassien

After those catches I gave up my productive spot to my two friends and fished only with two rods. Both guys hooked into a big fish. My Slovak mate managed to land his, while the other was left with a vivid memory of a knot slipping loose between the main line and the shock leader after a twenty–minute fight.

Zdeněk Vašek holding a big lysec from Lake Lac de Saint Cassien

In the second half of the trip I mainly served as the logistics link to the supermarket 10 km away, where we significantly cut down the stockpile of Glenfiddich. I rode there on a borrowed bike with an absurdly narrow saddle and a giant backpack. My Slovak mate drank like a camel and constantly wanted six to ten big bottles of mineral water hauled back. The combination of a poor, potholed road, the heavy pack, and that razor–thin saddle resulted in an intense, involuntary massage of delicate parts – but even that couldn’t spoil the joy of fishing in a place like this.

As far as I remember, a very successful bait was a snowman rig with a pineapple pop-up, all wrapped in a strongly aromatic, loose liver paste.

We ended our week of fishing with dinner in a restaurant overlooking the lake, closing a truly successful trip to a legendary place we had only envied in the pages of fishing magazines until then. On your journeys you often come across big, beautiful, even mysterious lakes with big carp – but only a few lakes have that extra something, like the charm of a beautiful woman, that lifts the experience to a level you’ve never felt before. That’s exactly what Lac de Saint Cassien is – everything wrapped in one neat package.

Lago di Bolsena – The Second Story

Carp rods on a rod pod by the shore of Lake Lago di Bolsena with a boat on the water

Cassien was a targeted trip for big carp. Lago di Bolsena, on the other hand, falls into the category of a family holiday with a surprise. My tolerant wife, when it comes to choosing holiday destinations, luckily shares my view that any sea has far too few carp for my taste. The downside from a fishing perspective is that your swim is set by where you stay, and you can’t choose it based on the likelihood of catching a big carp.

By chance we found beautiful apartments with a private beach, the grounds completely surrounded by tall thujas, just outside the town of Bolsena with its stunning ancient architecture. A vast stretch of water where you can actually see the curve of the earth, with extremely clear and warm water. Standing neck-deep, you can still see your toes perfectly. Shade temperature was 38 degrees, surface water temperature 31 – not exactly the dream conditions for carp fishing. 🙂 We went to the lake twice, staying in the same place, two families with kids – so this is really a blend of two family holidays with a surprise.

A boy holding a carp caught at Lake Lago di Bolsena
A young angler sitting on the shore of Lago di Bolsena holding a big carp
A young angler with a big carp caught at Lake Lago di Bolsena

We split up the roles – my friend and I explored the ichthyofauna of Bolsena, while the women and kids toured the many historic landmarks in the area. The first part of the trip went by without a touch, until midweek when I finally managed to tempt a tiny scaly baby of about 70 cm on a pop-up. On Wednesday I decided to combine a family trip to the sea with a visit to a carp tackle shop in the town of Montefiascone. The owner was very talkative and gave us advice on the most productive depths in our area – which turned out to be a crucial piece of information. When we returned, we moved our rods into the recommended depths and waited. Lago di Bolsena, like many Italian lakes, allows fishing with nets and gillnets. Every evening at dusk, boats would arrive and lay gillnets right over our swims, only to pull them back out again before dawn.

Thursday was still without a touch, and Saturday’s departure was getting closer. Then, just before dawn on Friday, things started to happen. A long, unstoppable run catapulted me out of the sleeping bag, and the hooked fish stripped dozens of meters of line before burying itself in weed. With motorboats buzzing above the swim, hauling in nets full of fish, my wife judged it too risky and refused to let me out on the inflatable with just oars. I risked losing the fish and forced it free from the weeds, slowly working it toward the bank. Unfortunately, about 100 meters from shore the carp buried itself again, this time completely stuck. Not wanting to lose it, I ignored my wife’s protests, got into the boat, and rowed out over the fish. With my hand I managed to free it again, and what appeared on the surface was a massive clump of weed – and judging by the movement inside, there was clearly a fish. I couldn’t see the carp itself, so I decided to net the entire clump, hopefully with the fish inside. A jolt in the landing net told me it had worked. Back on shore I began the unboxing from the weeds, with no idea what I had actually caught. As I pulled the green mess apart, an enormous head appeared, with a mouth the size of a man’s fist.

Zdeněk Vašek with a huge carp in the water at Lake Lago di Bolsena

The massive common carp measured 110 cm and weighed in at 23.5 kg. I sent the rig back down to the right depth, with only a few hours of fishing left. At high noon the alarm screamed beautifully, and from the boat I savored a brutal fight as the braided line sliced through clumps of weed where the carp instinctively sought refuge.

Zdeněk Vašek with a big carp by Lake Lago di Bolsena at sunrise

Another fish, again 110 centimeters, this time 24.6 kg. The adrenaline was pumping out of my ears. I wrapped up the trip with two more carp between 15 and 17 kg.

Zdeněk Vašek holding a trophy carp on the shore of Lake Lago di Bolsena

The only small blemish came on the last night, when some headlamp–wearing figure tried to steal our fishing gear. He came in at night by boat from the water, but was unlucky – we had already packed everything into the car, and on top of that the kids woke up, unable to sleep from the heat. Thinking it was me walking around the garden with a headlamp, they started shouting at the figure, surprised why “I” was suddenly running back to the boat and frantically rowing off into the dark.

A year passed and we were back in the same spot, this time equipped with motion sensors and the lessons learned from our previous hybrid holiday. This time the rigs went straight into the right depth of 6 to 7 meters. Over the week I caught about 15 carp, 6 of them measuring 110 centimeters! I was starting to suspect they might be producing them somewhere in Italy on a 3D printer at that exact length. In terms of weight though, this time the fish of that size ranged from 18 to 19.4 kg.

Zdeněk Vašek holding a big carp by Lake Lago di Bolsena during a morning photo session
Zdeněk Vašek with a beautiful carp on the mat by Lake Lago di Bolsena
Zdeněk Vašek with a big carp caught at night on Lake Lago di Bolsena

Lago di Bolsena captivated me – the combination of a vast expanse of clear water, ancient architecture, and brutally hard–fighting commons that battle madly for every centimeter of line makes for an incredibly tasty cocktail of experience. It’s a water I will one hundred percent return to.

Carp rods on a rod pod by the rough shore of Lake Lago di Bolsena with a boat

The best stories travel quietly. From water to water. From angler to angler. Join those who go deeper.

Get stories and content you won't find anywhere else.

Subscribe to posts

For Specimen Hunter

Zdeněk Vašek - DOC

Follow us on social media

Share the story

Quick navigation
David Dauchy – Specimen Hunter

David Dauchy

France

Photographer, filmmaker, writer and lover of poetry

Known for
  • Long-standing role in the management of Gardner Tackle France
  • Current partnership with the brands Forge Tackle and BlackDeere
  • International publishing activity (Carpe Scene Collector, KaproMánie and others)
  • The philosophy of the “Modern Nomad” and the discovery of forgotten waters

David Dauchy is the embodiment within the Specimen Hunter team of that “quiet voice” which gives modern carp fishing a literary and visual dimension. For David, time spent by the water is not a pursuit of mechanical success, but a deep self-reflection and a way of inhabiting time. His professional path is remarkable. For many years, he shaped the face of the French branch of the legendary Gardner Tackle brand, giving him immense technical insight and respect across Europe. Today, however, he directs his energy toward projects that resonate more closely with his current state of mind. As a modern nomad, he does not seek prestige on commercially exposed waters, but finds true adventure in forgotten places, where nature writes its own stories without human noise. His path is defined by a return to simple joys and honest quality, an attitude he also brings into his current work for the brands Forge Tackle and BlackDeere.

His authorial style is woven through with poetry and a deep respect for detail. David never leaves for the water without his notebook; pen and paper are tools just as important to him as his rods. With extraordinary sensitivity, he can capture the eternity hidden in carp scales, the texture of light on the surface, or the feeling of absolute solitude beneath the stars. In his hands, fishing becomes an act of resistance against modern haste, noise and superficiality. It is a slow philosophy in which the most important thing is “being in the present”, when the angler becomes an organic part of the landscape, not its conqueror. David believes that true fishing begins with waiting and listening, long before the first cast comes.

As a photographer and filmmaker, he does not focus on documenting technical triumph, but on capturing the fleeting mood of a moment. His visual signature is unmistakable in its dreamlike quality and fascination with the aesthetics of natural forms. He admires the old lines of carp, their history and the uniqueness of every detail, which he sees as nature’s living handwriting. For David, fishing is a dialogue between inner silence and the invisible world beneath the surface. He brings a noble, curatorial element to the Specimen Hunter project, reminding us that behind every taut line lies an attempt at a deeper connection with the elements. He is a nomad who teaches us to feel again, to breathe in and to perceive the world in the space between sky and water.

Tomáš Chylák – BARBAR

Tomáš Chylák – BARBAR

Slovakia

Carp angler, brand consultant, content creator

Known for
  • Systematic testing of carp fishing gear in real conditions
  • Collaboration with the brands Speedy BAITS, KarpMánia and KATRAN Fishing Line
  • Contributor to Slovenský rybár magazine and the Specimen Hunter platform
  • Creative production of video content and educational formats with an emphasis on authenticity

Tomáš Chylák, known in the fishing community by the nickname Barbar, represents a voice in modern carp fishing that seeks answers in details and honest testing. Although he has been intensely focused on the targeted fishing of big fish for the past four years, his path is defined by exceptionally rapid progression. Tomáš’s approach is not built on chance, but on building trust in a system, from choosing the right line to the precise presentation of the bait. For him, tackle is not just a product, but a tool for understanding the connections beneath the surface.

His fishing world is defined by contrast. On small stillwaters, he sharpens his patience and sense for detail, where every movement and the right tactical choice decide success under heavy pressure. By contrast, on vast expanses of water such as Zemplínska šírava, he looks for freedom and space for broader thinking. He sees precisely this balancing between the intimate world of small pools and the endless horizon of large reservoirs as a key element of his own development and his understanding of fish instincts.

A significant part of Tomáš’s identity is sharing experience. As an author and content creator, he does not aim merely to present catches, but to convey the real atmosphere from the water. His work, from specialist articles to dynamic video formats, combines educational value with perspective and humour. Tomáš understands that modern carp fishing requires a modern language, but its core, silence, focus and respect for nature, must remain unchanged.

As a tester working with leading brands, he places emphasis on practical usability in the situations that truly decide the outcome. His goal is not quantity, but depth of experience and the ability to pass on what he has learned by the water. In this way, he naturally complements the mosaic of personalities that make up the world of Specimen Hunter.

Radek Švec – Specimen Hunter

Radek Švec

Czech Republic

Angler, editor, big carp hunter

Known for
  • Long-term focus on fishing for Europe’s biggest carp
  • Editor-in-chief of Rybářství magazine
  • Former editor-in-chief of Lovkapra.com
  • Contributor to Czech and international fishing media
  • Member of the Fox International and Schmidt Experience teams

Radek Švec is one of those anglers who have chosen a narrow and demanding path. Instead of taking a broad approach, he has long focused on a single goal: the systematic pursuit of truly big carp. Not as an episode or a one-season challenge, but as a lifelong direction that demands time, discipline and the ability to accept long periods without results.

His development as an angler began with float fishing and lure fishing, where he was already making his mark at a competitive level at a young age. Gradually, however, he moved away from performance measured in points and rankings toward performance measured in patience. For the past ten years, he has devoted himself exclusively to fishing for big carp, travelling across Europe in pursuit of them and repeatedly returning to the same places until he truly understands them.

He has dozens of carp over 30 kilograms to his name, as well as fish over the 70-pound mark from five different European countries. In 2019, he managed to break the 40-kilogram barrier, which many carp anglers see as a symbolic milestone. These results are not presented as one-off records, but as the outcome of long-term pressure placed on himself, on logistics, preparation and the ability to work with failure.

Alongside fishing, he has also made a strong mark on the media scene. As an author, he has published dozens of articles in Czech and international magazines, and from 2021 to 2025 he ran the online magazine Lovkapra.com. Since 2025, he has been editor-in-chief of Rybářství magazine, where he works at the intersection of editorial work, content management and shaping the direction of one of the longest-running fishing titles in the country.

Radek’s approach is direct and open. For him, a big fish is not a metaphor, but a goal. He does not look for shortcuts or excuses, accepts the risk that most sessions will end without a bite, and builds on the fact that an extreme result demands extreme focus. It is precisely this clarity that makes him a striking counterpoint to other fishing approaches and an important voice within the broader spectrum of Specimen Hunter.

Michal Jakoubek – Specimen Hunter

Michal Jakoubek

Specimen Hunter

Founder of Specimen Hunter, filmmaker, photographer, author

Known for
  • Founder of Specimen Hunter and SpecimenHunter TV
  • Founder of Specimen Productions s.r.o.
  • Author of the overall vision, visual identity and structure of the platform
  • Filmmaker, photographer and copywriter
  • Founder of the WERM studio and Carpblogger.com projects

Michal Jakoubek has been at the birth of Specimen Hunter from the very beginning. Not only as its founder, but as the person who gave the platform its direction, rhythm and form. Specimen Hunter was not born as a collective compromise, but as a clearly led vision backed by one mind and long-term work.

He is a filmmaker and photographer, but also the author of the texts, concepts and technical solution behind the entire platform. He is involved in every layer of the project, from visual identity and content to the structure of the website and the way language is used. His texts appear in various magazines and journals, always with an emphasis on context, calm and story.

SpecimenHunter TV is a natural continuation of this path. Not as a fast-paced format, but as a space for films that work with silence, time and atmosphere. For content that does not explain fishing, but gives it meaning. It is precisely this combination of authorial control and open space that defines Specimen Hunter as a whole.

Editorial office – Specimen Hunter

Editorial Team

Specimen Hunter

The shared voice of the platform

Specimen Hunter in a nutshell
  • A media platform connecting fishing, nature and cinematic storytelling
  • A project built on deep context rather than fast content consumption
  • A space for authors, filmmakers and creators without the pressure of product promotion
  • A curated ecosystem of articles, films and ideas that give fishing a broader meaning

Editorial Team is the signature we use when an article is not the personal authorial narrative of one person, but an output of Specimen Hunter as a whole. It is content that represents the platform’s view, its direction and the way we think about fishing, nature and media.

Editorial texts are created where the work of several people comes together. They often involve an author, editor, translator or content curator. They are not the subjective view of one angler by the water, but texts meant to give things context, explain connections and name the positions the platform stands behind.

If an article is signed as Editorial Team, it means it is meant to represent Specimen Hunter as a team and as a project. Without added emotion, without personal ambitions, without pressure to perform. Just the calm, clear and responsible voice of the platform.

Lukáš Krása – Specimen Hunter

Lukáš Krása

Czech Republic

Bait developer, angler, author

Known for
  • Author of two essential books on carp fishing
  • Long-time contributor to Czech and international magazines
  • One of the respected figures on the European carp fishing scene
  • Founder of LK Baits, LK Baits Pet and co-founder of Rybářství Sahara

Lukáš Krása is one of those people who have shaped the modern understanding of carp fishing not only through results on the bank, but above all through a way of thinking. He is the author of two books that have become a firm part of fishing literature, and his texts have long appeared in Czech and international magazines. They are not guides or product manuals, but an effort to understand the fish, the water and the connections that, at first glance, remain hidden beneath the surface.

His approach is rooted in a deep interest in carp biology, natural feeding signals and the behaviour of fish over time. It was precisely this need to understand, rather than the pursuit of quick results, that gradually led him to develop his own baits and to create the LK Baits brand. For him, technology and innovation have never been ends in themselves, but a means of testing the ideas he writes about and thinks through.

Despite international respect and a long journey behind him, his view of fishing remains surprisingly simple. The fish is not a trophy and success is not a number. What matters is the process, observation and the story that unfolds before the bite even comes. It is precisely this calm, analytical and human voice that makes Lukáš fit into the world of Specimen Hunter.

Quick navigation
This is your stage

🔔 Specimen Hunter begins with you 🔔

Premium content. In real time. For those who go deeper.
You’ll also get stories and content you won’t see anywhere else.

Subscription Form

🔒 No spam. Just stories worth hearing.